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There has been a lot written lately about "emotional labor," an idea that is discussed in this article in The Atlantic, which explores the term and how it has creeped into areas that were not intended by the originator of the term, Dr. Arlie Hochschild, a sociologist who taught at UC Berkeley. In this article from The Atlantic, she notes that teachers are among those who "[while] doing physical labor and mental labor, ...are crucially being hired and monitored for [the] capacity to manage and produce a feeling."

I'm thinking about that because I have come off a week that was very emotional for me. This past week students came to me for all sorts of reasons: serious illnesses (or tests needed to determine them), deaths in the family (in one case a shooting), and I even learned of the sad fate of a former student. It was exhausting. I am still exhausted.

So what is the solution? I know I am not monetarily paid for this emotional work, so what should I do about this? I suppose everyone, especially professors, must decide for themselves how  to respond to this reality. On the one hand, a professor could say, students have (for the most part) families, and that they should be supported by those families. That's true, but in reality, some are not. And it's also true that we have a counseling center, and I often walk students there to get counseling if they are in crisis. I am not trained to do counseling.

But there is a trust that I have built up with my students. That trust means that sometimes they come to me with personal issues if for no other reason than they are not sure where else to go for help. I help when I can, and direct when I can't.

I realize that this explanation is not exactly the definition of "emotional labor" in its original context as penned by Dr. Hochschild. But I am not willing to hold some kind of line in the sand to not be there for students in these ways to avoid the "cost" of this kind of work. If I'm going to have my students trust me, then they trust me. If they trust me enough to share personal stories, how can I turn them away?

This is the time of year when my Twitter feed is full of tweets from professors scoffing at the number of dead grandparents and generally not believing - or caring? - about these students and their stress. I dislike the tones of those tweets and comments. Our students are our students, with all of their problems, issues, and stresses.

My college is listed in the book Colleges That Change Lives by Loren Pope. In the chapter about McDaniel it opens with these lines: "If you’re looking for a college free from pretense and full of genuine care, put McDaniel at the top of your list." Rather than "emotional labor," I think I am practicing genuine care. I do genuinely care about each of my students. While I may not be paid directly for that, I think it's worth any sense of cost if I can make these students feel supported, encouraged, and yes, even cared for. It is my hope that they can then do their best in the classroom, which is, ultimately, our collective goal at the college. We want graduates who will make a difference in the world. If I can make a difference in their lives, my hope is that each of them will pay it forward.

What is your view, if you teach, of the role you play in the lives of students beyond your classroom?

Another season is in the record books for the McDaniel College Green Terror Football Team. It was not the record that we were all hoping for, and I was not able to travel to the last game, which was away. But I watched it on the livestream, and once again I marveled at the grit, resilience, and indefatigable spirit of the players, the coaches, and the fans - parents - who I knew were in the stands. I've come to love all aspects of the culture of this game, but it's the people who make it the best.

First, appreciation must go to the coaches, chief among them Head Coach Michael Dailey, who said yes from the start when approached to have a female art history professor as the first faculty mentor to the team. We reminisce now often about how we were going to "figure it out," and we have. I'm grateful for his patience, his answering of my thousands of questions (I am an academic!), and his embrace of just about every one of my ideas. I have made it a point to get to know the other coaches a bit better this year, though I could have done more on that score. Yet, I know how busy they are.

Second, the parents have been fun to get to know, too. What a hardy bunch! And these people know how to party! I can't name names, but I have been gifted with more sausage, sweets, and alcoholic shots than I have ever in my life. At first, it was overwhelming and I did not know what to say or do, which makes professors as a rule uncomfortable. But as I try to tell my students: lean into what makes you uneasy and take a risk. I am glad that I did so because interacting with the parents has been a joy I did not anticipate when I took on this role.

And finally, but certainly not last, is my appreciation for the students. Among the graduating bunch this year are some of the first players who sought me out when I did not know what I was doing. I don't know why they trusted me, as I hardly think I gave off an attitude of confidence about my role. All I can think is that my desire to help and to support somehow came through. And I listened. By listening I learned so much. Because many people read this blog and because it's public, I will not name their names. However, they will always be among the most important students in my twenty-year teaching career in higher ed. They (hopefully) know who they are. They made me a better professor, by helping me see how they came alive in debates, games, and other active learning in the classroom. Several of them taught me about what it is like to be a black young man navigating today's society and some first-generation students shared with me the angst at the costs they were incurring. They taught me about grit and resilience, which I have blogged about here before. They taught me collectively about teamwork and why that is important.

In the end they have offered me a new way to express my creativity as a professor, a (sometimes) administrator, and a speaker on student athletes and teaching and learning. I've been given a new outlet for the next few years to help guide and shape higher education, specifically on how institutions can better support student athletes holistically at the (NCAA) Division III level. I've spoken at a few institutions, have a book proposal in about my experiences, and will be speaking at the NCAA's Annual Convention in January.

To the entire McDaniel College Football Team: a huge thank you from the faculty mentor. Thanks for making me a member of the team. And when is Spring Ball?!?!

The 2018 Team (photo: Katie Ogorzalek)

I have been thinking about the issue of helping students with issues and problems that are not always academic in nature. Students might come to faculty with issues about their personal lives regarding relationships, finances, identity; the list can go on. This type of listening is often referred to as "emotional labor" and is sometimes required to be done at colleges and universities. Often it is noted that this work is  disproportionately performed by women, and it is often not compensated financially. While harassment and other forms of discrimination also happen in the academic world that disproportionately hinder women, I am referring specifically to "the invisible labor of mentoring students [that] isn’t rewarded in the tenure-and-promotion process" that is discussed in this article from The Chronicle of Higher Education. I would argue that this invisible work is not academic advising. This work goes well beyond the role of academic advisor.

I have been thinking about this a lot lately, for my work as the mentor to the football team has me often wading in waters for which my Ph.D. did not give me much training. And it is work for which I am not specifically financially compensated by my institution. It could, of course, be lumped into that catch-all of "service to the institution," which can mean anything from committee work, to participating in faculty or administrative searches, to advising, and to participating in any number of "ad hoc" groups.

For me, this diagram offers a different way of thinking about my mentor work:

Related image

While I still believe that it should be compensated financially in some way, I am finding that there is a reward - an intrinsic reward - in doing this work. The gratitude that is expressed to me by my students when I listen to them and help them form a plan to fix whatever problem they are having reminds me why I teach at a small school that says we genuinely care about students. We are part of the Colleges That Change Lives book and the website for CTCL has this quotation for our entry:

“This [McDaniel College] is a community of nice, earnest, unassuming, quietly self-assured teenagers who realize they are getting a first-rate education and who regard their teachers as their friends and mentors.
Colleges That Change Lives

I am proud to be a part of that. While I work to make sure that the mentoring work that I am doing will one day be financially compensated, I will continue to realize that I'm in the sweet spot with my role as faculty mentor to the football team. I am good at it, it's what the world needs right now (at least on my campus), I can be paid for it (though my pay is for my teaching primarily), and possibly most importantly, I love what I am doing. As the diagram above shows, it's my profession and vocation, but it's also my mission and passion. They all align to that sweet green star that reflects my purpose.

May we all find a way to the green star of our purpose. And be paid for doing it. While this post doesn't advocate that this work should not be paid for, I would also say that it has its own rewards. If you're good at this work, and you're at a place that values it, I hope you'll continue to do it. And if you are a tenured faculty member, I hope you'll think about doing it. There are so many faculty on the tenure track - and many more off it - that expectations for this sort of work would be nearly abusing their roles. However, if you, like me, find yourself in the privileged position of tenured full or associate professor, think about this type of mentoring work. Because this world, and the young people trying to make their way in it, need people to guide them, friend them, and mentor them.

* After I published this post, this related article popped up on Twitter:, and my college, McDaniel is mentioned: https://www.washingtonpost.com/local/education/showing-that-they-care-college-faculty-called-on-to-aid-floundering-students/2018/10/07/6b67d098-c6a4-11e8-b1ed-1d2d65b86d0c_story.html?noredirect=on&utm_term=.b2771064700a

I have been teaching for over twenty years and higher education is under tremendous pressure and my college is experiencing this as well. I just started reading Jeffrey Selingo's book There is Life After College. I am doing this to try to understand the role of higher education in America now. It's very different than it was even a decade ago, and Selingo offers some context for that.

I have done a lot of reading because I want to provide the best education and experience for any student who comes across my doorway, either the doorway of my office or my classroom. Sometimes I find myself overwhelmed at the different issues I must focus on. When I have a student  in my office, or when they come to my class, I am thinking of any number of things, like:

  • "It is my responsibility to teach this student and to be sure my course helps her on her way to graduation."
  • "I need to make sure this student understands and can communicate the skills he has learned in my class in any interview situation so that he can get the job."
  • "I need to retain this student because her continued attendance at my institution is important."
  • "I want to be sure that I engage these students so that they continue to want to learn and finish their degree."
  • "I want to be sure that this student doesn't end up a statistic of the millions who have some college, but no degree and student debt."

At times all of these thoughts can overwhelm and paralyze. And nearly all of those sentences should have an exclamation point after them, because each one seems pressing and necessary and URGENT. Sometimes I think I should just teach and NOT think about all of this. But is that really the extent of my job? Just teaching art history? I don't think so. I do think that my role at a small, liberal arts college is not just to teach. It's to help guide.

And yet, the more I read about our changing economy the more stressed I become for our students. The stakes are high. More and more it seems that the value that we place on individuals is really all about money. We do not hear about movies over the weekend that were good in a creative sense, just which ones made the most money at the box office. Everything is a value exchange.

I teach art history. How do I translate that so that my students can benefit from the skills that my discipline offers, while still helping them be successful in their eventual careers? How do I do that when art history is usually the degree that is maligned, as in a 2014 speech by then-President Obama (which you can read here). Or when it's mentioned in a podcast as a major that even students police among themselves: "Why are you majoring in Art History?!" according to William Deresiewicz in a recent episode of the Unmistakable Creative podcast (you can read about/listen to it here).

My institution is wrestling with the big question of the role of our college in society, what we teach and our mission. We are a private, liberal arts college and I know we help students. I know we're important. Yet, so much is changing around us. I believe strongly in the core of the liberal arts and want my students to be successful. Ultimately that is why I am mentoring students that happen to be on the football team, because I see such potential in them, and yet also a reticence among some of them to be disciplined enough in academics to have it help them launch a career.

I'd love to hear from my former students about how their experiences launched them - or did not. What would you do differently? What do you wish your alma mater did differently?

And today, I'll decide how best to teach tomorrow, and I'll also be planning mentoring meetings this week with students. That work must carry on.

This Saturday the McDaniel College Green Terror Football Team had their home opener. In the rain. In the pouring rain. As in I don't think it stopped raining for one play. I admit that I took shelter, thanks to my colleagues, in our Skybox. One of my colleagues was kind enough to give me a guest pass; I think she felt sorry for me, seeing me shivering in my wet clothes.

It was also the first loss of the season. As the mentor to the team, I talk with the students, get to know them, help them craft dreams and goals, teach them in classes. I love doing all of that. But it also makes it much harder when they lose. And even worse to see them get hurt. There were at least three injuries that I saw this past Saturday and each was like a gut punch. I don't know how parents do it.

But once again I was reminded as I sat in the luxury of the dry warmth of the box seat (I feel like such a wuss) and watched them: they love the game so much. They play with SUCH heart. They simply never give up. Even in the relentless rain and a sputtering offense, the defense came up big, again and again. One of the players I have gotten to know very well over two years in my role on the team had a huge sack and made the highlight real of "Play of the Day," which you can see in a link here.  Look at that speed!

They make me a bigger fan every time I watch them. And not that I want them to do it, but I think it is when they lose that I gain even more respect for them. One of my thoughts as I watch them all standing on the sidelines is that they are so devoted to each other. When I think about the strife and conflict in our society right now, a lot of it over race, and then see a team that is very diverse link arms together at the start of every game, work together to achieve a goal, and not give up on each other ever, well, it just makes me think that maybe there is hope for the world after all.

I'll be back at out there next Saturday, win or lose, sun or rain. They've got one fan in their corner always.

At my institution, we moved the second semester writing class, which is usually about literature, out of the English department. Thus, each major decides what writing in their discipline looks like and what students need to know. The idea from research in the field is that students learn more about writing when they care about or are interested in the subjects about which they are writing.

In my department, Art and Art History, our disciplinary writing course introduces students to different forms of art writing: catalog entries for art history, exhibitions review from galleries for both studio and art history majors, and visual analysis pieces. We also have them spend some time on writing their resumes and cover letters, and if they are visual artists, an artist statement. Since part of the expectation of this course is the completion of a catalog of works that the students choose, I decided to add a piece on digital writing and included some pieces of the assignment that were web-based. While students were required to keep a digital portfolio for their work, they were also asked to take part in a Wikipedia editing session on the work of art that they were working on for our class catalog. [I also created an online exhibition of the works of art that they wrote about, but that is another post you can read here.]

The Wikipedia edit session was co-taught with the director of our Writing Center. He spent some time taking them through an exercise about what they knew and thought about Wikipedia going into the exercise. After that discussion, students were asked to start to edit their entry. To facilitate this session that was held in one of our computer labs, students were required to come with an account already established. The people at WikiEdu are great about support and help, and they helped all my students get registered for this edit session. https://wikiedu.org/teach-with-wikipedia/

Once the session began, one student began to fret. She realized she was writing for the public and that “people will be reading this!” This made me think about how we teach writing, and how the students are trained to think about how they are writing only for the instructor. Suddenly in this exercise they realized that they were writing for people that they did not know!

This was a great teaching moment. Not only did this student step up her game, but it initiated a conversation about audience, and how writing for people who would actually read the work made the students take it more seriously. They started thinking more about word choices, comma placement. It was eye-opening for me, as a professor, to see the shift that was taking place. It made me think that papers read only by me and written by them was a waste of time for teaching about audience.

A friend of mine was talking to me the other day about one of the things he loves about my classes is that I have them “doing things.” I totally agree. This was one of those watershed moments that made me realize that active learning in the classroom is very important.

But it can’t just be an engaging technique for the sake of engagement. There needs to be a reason for that engaging activity. In this case, the reason was teaching about audience and having the students realize that people outside of the institution would be reading their work.

In one case, a student had a very creative and evocative description of her work of art which is a panel painting of the Virgin and Child by the late medieval Italian artist Berlinghieri. The student felt her depiction of the painting was too flowery, and we spent time talking about ekphrasis, the art of description that is traced back to Greek aesthetics. She felt that her description was based too much in ekphrastic writing, and not based in more fact-centered prose of Wikipedia. As a lark, we have checked back, now over a year since she wrote her entry, and her eloquent description of one of his painting remains: “Her soulful eyes are large and intensely focused, lending her visage a particular elegance.”

When I teach this course again, which is coming up this fall, I will use this Wikipedia editing project again. I may even use it in a future art history class because the difference in audience – and for students to think about creating content for the web – is so important as they leave and enter the work force.

Writing on the web make students better writers and connects them with the outside world, providing them with an opportunity to impact the world, one Wikipedia entry at a time.

4

I have been thinking this summer about my introductory art course. It is meant to be a “survey” of the art of the west (I recognize there are problems with that approach, and we have a World Art course I'd like to teach as well). But for now, I am stuck with the survey of western art course.

And I say stuck because I am not sure that it teaches about art history because it’s really a survey as the title of the course implies of art and culture. It's the "greatest hits." I think there is value to that, but it just doesn’t feel like an introduction to the discipline. In my upper level courses, I do try to have students interpret art, visually dissect a painting and pose a possible thesis of its meaning, which is more inline with the discipline itself.

But in the survey class it is a bit harder to do that. Even having limited the number of works that I talk about, it is still challenging to find a way to have them engage in the art historical inquiry that is the backbone of our discipline.

However, I am teaching the course in a hybrid manner this coming fall, as I have the past two years. The students were overall positive about the experience. I’m going to do it again, putting in some suggestions that they made to hopefully make the course better. This will give me more time to try some new things that might have them engage in the art a bit more, and perhaps help them engage in the works as an art historian might, albeit on a very general level.

For instance, I am thinking of have them all work as advisors to a pharaoh or leader from the Near East. Each group is tasked with creating a museum for their leader/pharaoh that has art from all the periods we cover in that module (of ancient Near East and Egyptian art) but work cannot be ones we have covered. They must search for other examples. And I plan to also “surprise” each group with an image that they then research. They must explain their choices and why the work is one from the culture that it represents.

What do you think? Does this engage students for a purpose that connects to the discipline of art history?

 

I just got back from my eleventh Reacting to the Past conference. I had a great time as usual. I saw wonderful teachers learning a pedagogy that can transform their teaching, and even their life, as it has mine. I made new friends and met up with ones I have made over the years. And ran my now -published game Modernism vs. Traditionalism: Art in Paris, 1888-89, which was published by North Carolina University Press. After that, I played the artist Paolo Uccello in my friend Paula Lazrus' game about the building of the Duomo in Florence when a competition was announced on how the work would be completed in 1418. Here I am in the game, leading a procession with a palio that represents my guild of painters and sculptors: And later, Uccello gives a lesson on the newly discovered linear perspective, which I did in the game:

And yet even though I come back from this conference more convinced than ever that Reacting is a powerful teaching tool and I hope I encouraged many to use it, I had the odd feeling the entire weekend that this "run" had come to an end. I will always use Reacting and have posted here many times about how it has worked in my classroom. I served on the Reacting Consortium board for six years, I chaired the board for about a year. I co-authored a game. I use a game in nearly every class.

But I am called to put energies elsewhere now, and it seemed somehow important to note this as a sort of ending, so that I could take in, enjoy, and appreciate every minute of the conference experience. And I did.

Now I feel a real urge to do more with the student athletes, specifically those on the Green Terror Football team, for whom I act as a faculty mentor. The creativity embedded in Reacting I will take with me to this new endeavor. I am clearing the decks mentally, physically, and even emotionally to make room for this new work and this new "calling." I am excited to meet new student athletes and help them to become their best selves both as players on the field and students in the classroom. While sometimes I am not sure how it will all work out, I didn't know how to write a Reacting game, either, and I figured that out.

With the help of the Green Terror football team (and the great coaches!) I'm betting I figure out how to mentor a team to the best of my ability, too.

Among the issues I hear from both students and faculty across institutions, including my own, is a statement faculty often make to student athletes who take their classes: “You are not here to play football” (or fill in whatever sport). Faculty say it when players have to miss their class for sports games. Students say they hear it from faculty often. But the truth is, to say they are “not here to play [insert sport here]” is not fully true.

Coaches play an important role in recruiting every incoming class. I knew that intellectually, but I really did not understand how the coaches play an integral role in the recruitment of an incoming class. Until I began to mentor the football team and took a front row seat to the academic cycle of the team and a coach’s life, I did not realize how vital they are to the admissions enterprise. For a college like mine, which is dependent on tuition revenue, student recruitment is key. While we have lots of outreach and marketing, it is often through a coach that a student first learns about an institution and has his or her “first touch.” Coaches want talent for their teams, and they spend a lot of time in high schools recruiting top students. Thus, many times the student’s first interaction with a college institution is through the coach.

In a focus group a few months ago, football players at my institution from a range of years and ethnicity, were asked about why they are at college. They all emphasized that they wanted to get an education. That was the first answer to the question, “Why are you here/Why did you come to college?” Yes, they were first recruited to play their sport by the coaching staff. But they understand what is at stake. They emphasized that they very much love their sport, and to play, but they also want an education.

"Playing football" was not among the answers. Not one single student answered the question “Why are you here/Why did you come to college?” with “to play football” as their first answer. While football may be the reason they looked at this particular college, and while the sport may offer them opportunities through alumni connections, each of these students had their eyes on a larger prize: a college education and a pathway to a job and career. A follow up question about where they might be in five years, students answered by saying “I want to be a spokesman for a company” or “have a steady income.” Other students answered, “having independence financially,” and “finding a career and maybe starting a family.”

Thus, by their own answers, football was not the primary reason that they were in school, and yet, as the book I am currently writing will hopefully demonstrate, playing football is an important identity marker for them, and it is often their ticket to college. Without the team in high school, a coach’s interest, they may not have found a path to college as easily as they did through their sport.

Faculty, perhaps we should be a bit more reflective and interested in our students' sports identity and be more willing to help them make the most out of their four years, in the classroom and on the field.

Last week I had the opportunity to speak at the Texas Lutheran Engaging Pedagogy Conference as their keynote speaker. Details of the conference can be viewed here. I am very thankful to their organizer, Dr. Chris Bollinger, and their Provost, Dr. Debbi Cottrell, for inviting me down and giving me this opportunity.

My talk centered around active learning in my art history classes.  There were a few tweets with images during my talk, including this one:

I have already written about this idea of creating classes where it is "OK to be wrong." You can read about it in this blog post from this past fall. This is an important concept that I am still thinking about with my teaching. If everything is about high stakes tests, and then we say we want our students to take risks, how can we achieve that when making a mistake on a test has such huge consequences today? Even something as basic as funding for schools is dependent on test scores. When such thinking is ingrained in students, it's hard for them to think creatively and problem-solve. Creating an environment where it is OK to be wrong becomes very important, otherwise, we do not teach students that failure is often what leads to the greatest discoveries and creative solutions.

While at the conference, I also had the audience participate in some active learning themselves, which you can see in this "tweet" from Dr. Steven Vrooman who helped me with tech and took the video.

It was great to be in a room with so much energy and enthusiastic professors. If you'd like me to speak at your event contact me at gkreahlingmckay@yahoo.com or leave a message!

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