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It began with five students from the McDaniel College Green Terror Football Team in Roman Art and Architecture in the fall semester of 2015. I went to the home game on Saturday, September 12, 2015 - even invited as a guest to the suite (box) at Kenneth R. Gill stadium:

During the game, I grabbed a program and circled all the student players' names I had in that class. I watched their enthusiasm, passion, and dedication on the field. I made the decision that day that I would include active learning in every single class meeting period. To assess how well I had managed to achieve actual learning through that decision, I collaborated with my colleague in Communication, Dr. Robert Trader. He ran a focus group a year later and I was *amazed* at the amount of material they remembered. This led to a conference presentation and THEN a chapter published in Active Learning Strategies in Higher Education: Teaching for Leadership, Innovation, and Creativity from Emerald Publishers, 2018. I titled my chapter "Engaging the Non-Art History Student: A Tale of Five Football Players (and Others) in Roman Art." Because they influenced my teaching so much, I asked them to take a picture with me after one of their games in the fall of 2016. So, here we are:

This led to many opportunities that I would never have imagined could happen from five football players taking an elective: becoming the faculty mentor to the football team (that story was written about in this NCAA Champion magazine feature), publishing in the book noted above, and developing a speaking series on supporting student athletes. I gave my first keynote presentation at Texas Lutheran University last week at their annual engaging pedagogy conference.

The image above comes directly from the focus group, when they talked about how my class allowed them to try out interpretations, to risk, to be creative, and, to be wrong. In this exercise they had time to work on their own in pairs, and then lead discussion about an abstract Roman image like the one I am showing in the slide in the image above.

This past Saturday (May 18, 2018), four of the Original Football Romans graduated. Here they are:

Just like I grabbed the football program that September day in 2015, I grabbed the Commencement program this past Saturday.

But this time I did not have to circle their names.

Because they have helped me become a better professor. Because they have made me a mentor to an entire team. Because they have made me a better person, and I have learned so much from their teammates, as well as from them.

Congratulations, Original Football Romans!

 

 

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My grades are in (though they are not due until tomorrow). We will graduate a new crop of McDaniel College students on Saturday. I always look forward to that day, but it is always bittersweet for me. This time of year is always bittersweet for me.

I work hard to create community with my classes. Connecting with each of my students is also a goal of mine, and one I most often reach. The most challenging class for me in that regard with the thirty-person Medieval Art course. But I managed to find a way to build a bridge to each student, and to make each of them feel important. If I had not, I’m not at all sure that they would have been so eager to have this picture of the class as a whole (thanks to Dr. Lyndsey Smith, who acted as a T.A. for this semester, for taking the picture):

The departure of students from The Hill, our nickname for our college campus, depresses me slightly every year. I don’t know how many other faculty feel this. It seems counter-intuitive to the trends I see on Twitter and elsewhere about “grades are in!” and “Let the summer begin!” Of course, I have projects and writing that I wish to do, but I seem to make progress on those as I am teaching my students, not in spite of them. I had a book published this spring semester by the University of North Carolina Press: Modernism vs. Traditionalism: Art in Paris, 1888-89, a Reacting to the Past game that was co-authored by Michael Marlais and Nicolas Proctor. That book was not written in the summer(s).  I also had a chapter published in the following book on active learning: Active Learning Strategies in Higher Education: Teaching for Leadership, Innovation and Creativity, Anastasia Misseyanni, Militiades D. Lytras, Paraskevi Papadopoulou, eds. Emerald Publishing Limited, 2018. My chapter was on my experience with the football players in the Fall of 2015: “Engaging the non-Art History Student: A Tale of Five Football Players (and others) in Roman Art” (187-209). Both of these projects were peer reviewed (the Reacting game extensively), and most of the final work was done in the fall semester. Thus, summers are not always the time that we have laid at our feet to do our work as scholars. Somehow, I always manage, even when I am in the midst of classes to teach, papers to grade, and students to mentor.

I am not advocating for not having a free summer. I am not saying that at all. I know I need some mental time to reestablish other routines, and just to have a rest from the relentless (self-imposed) pressure to create an engaging classroom experience every class period. But right now I feel sad.

So, really what I am seeking is advice. For those who find the departure of students to be alarming, distressing, or even depressing: what do you do? How do you transition to summer?

 

We are entering "exam week," which means the day to day teaching of the semester is over. It's always a bittersweet time of the year for me. Sure, I am happy to have some time to myself again, but I will miss the give and take and interaction with my students. Today I find myself reflecting on the semester.

My Medieval art course, which I called lovingly my "Medieval Mongol Horde" (MMH), stretched me in new ways as a professor. I had never had a class of 30 students before, and even the arrangement of the room was a challenge. I know many professors teach classes much larger than this, but for me, this was new. Even just five more people from our course cap of 25 seemed like a lot of people. Even figuring out the furniture for the different class activities  was a challenge!

Some of the students from the MMH have also sent me reflections on their experience in the course, as I am readying for a keynote presentation at the Engaging Pedagogy Conference at Texas Lutheran University next week. I was asking them for an experience in the course that stood out to them.

Two of the key responses have something in common: sharing ideas and being heard. When I asked them what they remembered, or what stood out from the semester, one mentioned their weekly blog posts. This was surprising, as I figured that weekly writing on a prompt from me would be boring. But I responded to every single prompt (which was difficult, but important), and it got them writing every week in addition to papers and other more high-stakes writing that was for a grade. When I asked this student what he liked about the blog, he noted "You got to see what everyone else thinks and kind of compare."

Another of the MMH noted his favorite activity was a really hard chapter that I had them read and then a three-page critical analysis paper that they had write at the start of the semester. I was truly surprised by this answer. But the key here was what he said about the way the assignment was handled: "we discussed it as a class and what each of us thought." This was their first foray into art historical scholarship and the chapter I assigned is difficult. But we spent time in class talking about it, and students were able, after writing their papers, to argue about the thesis of the chapter.
The commonality in these two comments highlight to me the importance of listening as a professor. As professors we do so much of the talking. We need to do that because we are masters of the information of our disciplines and we have to impart that. It's our job. But our students are longing to be heard and to say what it is they are thinking. We need to build platforms for that, though. Just asking questions, as any professor knows, doesn't always lead to an amazing discussion where all the students engage.
Thank you for a great Semester to the Medieval Mongol Horde, pictured here:

Last year, I came up with what I thought was a fun and eventful “finale” for my nineteenth-century art history course. But when I was talking to a student in the class right prior to the start of the final exam/finale period, she uttered words that made me pause: “Presentations are the worst!”

I gulped. I asked her, plaintively, as we were about to go into the finale class period, I had no time to make a course correction, and they were, in fact, going to be presenting. I asked her, probably rather plaintively, “Why?! Why are they the worst?” She noted that everyone is bored, people read off the page, and no one really cares about what is being presented.

I realized at that moment that I hadn’t asked my students about what would be a good finale experience for the class. My plan had been that each student would engage the rest of the class in a visual analysis of a work of art, and that each student explained his or her Reacting Game character’s future, which is what often happens in the debriefing part of a Reacting to the Past game. The students had a good experience in the Art in Paris game in this, the 2017 run. But this “finale” was anything but.

For those who have moved away from final exams, how often do we ask students for their input on final experiences? I have moved away from final exams because I think that they play to only a small sub-set of students who do well on memorization and leave behind many students who do not do well with such recall of information. Plus, it’s a shallow area of learning – memorization and recall. I am working for deeper understanding than knowing the dates and titles and artists of paintings and being able to spit back at me and the stress of composing an essay under time pressure to demonstrate understanding.

I have moved to "finale experiences," which count less than overall grades related to class participation (which always include active learning), written critical analysis papers, visual analysis papers, speeches from Reacting games, museum papers and other interpretive work. In thinking about "finales" for my classes I am considering this:

  1. Let them choose a group or pairing and work with students with whom they feel comfortable. I will tell them that they will need a group on the last day of class so there is time for them to get paired/grouped up and I can facilitate if anyone can’t find a group or a partner.
  2. Give them a painting when they come to the finale to lead a class discussion about – we do this in class during the semester, but I am thinking I will give them a painting that is from the future – past 1889 when the class ends.
  3. They will get the painting when they arrive in class, but they will have time in the period to research it and plan what they will ask the class.
  4. I will circulate around the class and help them. And I will have to choose images carefully for such a finale project.

But this will do two things. First, it will have them use the skills that they were developing in the class and will build confidence in their abilities to talk about works of art to a setting of students and work in teams. And second, it hopefully won’t be “the worst” because they will be talking with and to each other.

What do you all do for finale experiences in a class rather than a final exam?

I am still thinking a lot about the article this past summer (July 10, 2017) Inside Higher Ed article about how faculty do not want to seem “stupid” in front of their students and that this, in part, might keep them from engaging in innovative teaching methods. Of course, there are many reasons why there might be reticence to change or shift teaching styles, as many commented on the original article, and postulated on Twitter and Facebook as people shared the story.

But I was thinking back to my Roman Art class, last year, in the spring semester of 2017. Near to the end of the semester, after we had established a good connection as a class due to all the collaborative and engaging work I had the students do in class day to day, the students starting asking me a bunch of questions to which I did not know answers. And they were coming at me several at a time. At first I felt that feeling of fear: “I don’t know the answers to these questions!” But then, in a moment of mindfulness, I paused.

Then, I said to them, "Hey - I don't know these answers, but you all have your phones - start looking this stuff up!" They all eagerly brought out their phones and started to look stuff up. This led to a great extemporaneous conversation about their questions/interests. Some of the topics they were asking about were way beyond the goals/topics I had set for that class, or even the course itself. And yeah, I had to admit a lot of stuff I didn't know but **so what**.

I will take some looking dopey (and I don't think they thought that anyway) for student interest/engagement any day.

I realize I am tenured. I realize I am a full professor. But I was doing these things before my full promotion anyway. I do realize the privileged position I have now with this role.

But I still say that it’s worth taking risks. And I will say that this is not just on faculty. Administrators, I’m also talking to you: support the faculty. If you want your students taught well, you must find ways to build scaffolding and support for innovation on your campuses. Here is an idea: let every untenured on on the tenure-track faculty member have a class they can “take out” of the evaluation pile every semester IF they propose to teach in a new way. Take the pressure off. We are in this together for the education of students.

What do you do when students ask you a question and you don’t know the answer? Students, what do you think when a professor admits that he or she doesn’t know the answer?

This post is a follow up to the one I published last week about planning an in-class assessment of what students had learned so far this semester. We are about at the half-way mark, so it seemed to be a good time to do it.

I had six total topics, and six groups of four students. They had to come up with a question based on one of the topics the course has covered so far.

Hiccup #1. Some of their questions were really mundane or way too specific. So, I had to help them develop more nuanced questions about the material to allow answers to dig more deeply into examples.

Then I gave two of the six questions, randomly, to each group. Of course some of them said, "Can we answer our own question?" Um. No. They had to come up with a presentation for their question, and two groups answered/presented per question.

Hiccup #2. Some made Powerpoint presentations and we had email and a Blackboard meltdown last week so I was scrambling a bit to project the PPTs in the class. But we managed. But it was a lot to manage.

Each group that had developed the question had to assess which group answered better and why. I think this was the best part, and one that I came up with on the fly. If they are going to be responsible for their own learning, then they have to be responsible for assessing who answers better. I'd like to try something else on this in the future. Those who answered the best will get an extra point (or something) in the Reacting to the Past game we play later in the semester. By and large, I agreed with their assessment of which groups answered better. I was keeping notes.

Then, each student had to answer individually the remaining three questions and turn them in the next class. I just reviewed them and there were some great answers, and some not great answers. Some confusion, and some real understanding.

I had hoped that they would all answer everything correctly and it would show me that my commitment to active learning was giving even better results than traditional lecture-only based instruction. I can't go that far. However, I do think they are learning at least as much when I used to teach this course more traditionally. And I gave this assessment as a surprise. In the future I may try to find ways to circle back to what they are learning more often - not just with the last five minutes "What did you learn today?" reflections, but something to connect concepts more holistically. Because some of them were not doing that.

What are other ways that you can assess the learning in an active classroom without relying on traditional memorization exams? How can you "get at" the overall learning that is taking place over the course of the semester, and not just class-by-class assessment? And how can we see if and how they are managing to make sense of the course as a whole?

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I have been vexed all weekend by a class that I don't think is remembering enough of what I have been teaching them. I was frustrated in class on Thursday when many of them could not recall basic concepts that we had covered previously. And when we had in-class exercises to explore the concepts, it appeared that they had learned it, at least at that immediate point in time. But later, recall was not happening. I do not have high-stakes exams, because I don't believe that the students will remember very much after an exercise that is about memorization for a one-time event. If they just memorize and forget, what is the point?

Tonight I started Ira Zepp's book, Pedagogy of the Heart: A Teacher's Credo. I read about 10 pages of it, but it already zapped me like lightening. He said something in the book about not wanting to teach in a way that "lords it over the students," like he possesses all the knowledge that they lack and that students should feel lucky to get. I don't want that kind of classroom. I want students to feel empowered, even as they learn new things, because right now, no: they do not know much about medieval art. They are there to learn.

I pondered this all weekend: how to come up with a way to assess my students' learning in the 30-person Medieval Art course without a high-stakes test all while keeping to my principles and commitment to active learning. I finally came up with the answer (for now):

They will decide what they should know.

I will have students sitting at tables of four in this class. There are seven tables (plus two chairs). Each table will be assigned a topic that we have covered so far in the course. They will develop a question for the other tables, possibly including an image or images to accompany their question. They will share the questions and the tables will all have to answer the different questions. I want them to do the grading/assessment, too, so I am trying to figure out if I can have every table answer each question, and have the question creators also assess the answers, all in the 90 minute time-frame. We'll see.

Ira Zepp left us in 2009. He is a legend on The Hill, at McDaniel College where he taught for many years. In 2015 I was awarded our college's highest honor: the Ira Zepp Distinguished Teaching Award. The more I learn about the man in whose name the award is bestowed, the more I want to do him proud, and be the kind of teacher he would want me to be.

I want to give my students the power: the power of being in charge of their own learning and their own education. It's a pedagogy of the heart, after all.

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I ran across this story about teaching that was in the January edition of The Atlantic (written by Jessica Lahey, January 21, 2108) and is about the teaching life of one half of the Penn & Teller magic act. The full piece is here. In it, Teller talks about his experiences teaching Latin in his past, and explains how, in his estimation, teaching is performance art.

I could not agree more. I have not read anything recently that lit me up like this story about teaching. It is so much what I try to do in my classes. I rev myself up each day, work hard to connect with each individual student. I learn my students names as quickly as possible, and am always in the classroom early in order to greet them one by one as they file in, somewhat tired or a little grumpy.

The article quotes Teller as saying this, too: "What I have, however, is delight. I get excited about things. That is at the root of what you want out of a teacher; a delight in what the subject is, in the operation. That’s what affects students.”

This is my goal in every class. I always try to show them my delight. My delight is in the material, surely, but it is also delightful to get to share that material with them. I want them to find some delight as well. I want something to spark them, make them think about things in new ways. This is often a challenge in a class that is fundamentally about 'old stuff' - Roman art, medieval art. It's not that accessible or easily connectable to my audience, which is usually 18-22 year olds, and, increasingly, student athletes, especially football players. On my teaching evaluations I always get a comment, "She obviously loves art." I do; but what I love more is teaching art. I would not be loving it if I were not teaching.

There is no greater delight for me than when a student follows along the journey that I take us on for 90 minutes, two times a week. When a student gasps when he or she understands the concepts, or nods in a knowing way, or smiles after a few minutes of puzzlement, that is sheer delight. Connecting with my students - and delighting in their learning - is what makes everything worthwhile.

If you are a student reading this, what brings you delight? If you are a professor and reading this, how do you demonstrate or show your delight in the classroom?

I have been wanting to write a post about OERs or Open Educational Resources for some time. This post will have a lot of links, because others have articulated better that which I have been wanting to say.

Today a post written by Cheryl Smith and Laurie Hurson on the Art History Teaching Resources blog came across my feed. In their post, they offer an overview of the issue of OERs and give the link to TeachOER.org, which is a guide to Open Educational Resources across the web. The TeachOER offers a wide range of disciplines access to sources that faculty can think about using in their classrooms.

This made me remember a piece I read in Inside Higher Ed by Robin DeRosa, which you can read here, about public higher education, and I would argue, private institutions should think about this, too. More and more studies are showing that the cost of textbooks - among other issues - can be a barrier to students' success in college. Sara Goldrick-Rab's book Paying the Price, which I have already written about here, notes that hidden costs such as course fees and the cost of books can lead to students giving up, dropping out, and not finishing a degree, even after they have started that journey, taking out loans to do so.

I would urge every faculty member to look at these resources. If you are a faculty member who thinks about and talks about social justice or believes that education can lift those among us with limited means to a better and more prosperous life, then think about what message you might be saying by ordering a textbook that costs over $100. I have tried to not have textbooks at all and use OER and scanned PDFs of scholarly articles when possible. I never assign an introductory art history textbook, either, but make use of videos and written material from smarthistory's work. Take a look through TeachOER.org. You might find a wealth of information that you can incorporate into your classes, with no costs to your students. They will appreciate it, even if they never say so!

I was talking to a colleague of mine, Josh Ambrose, who is the Executive Director of the Center for Experience and Opportunity at my institution (McDaniel College), about teaching. I run ideas past him often about classes and projects that I am thinking through, and I am always thinking through something or other. Because of our schedules, our conversations are sometimes over FB messenger. In one such exchange, Josh said this:

“For me, what I love about your courses, is that it has students *doing* things. That's what I keep coming back to in my classes. Whether your students [are] editing Wikipedia, or fully engaged in running their own games, or my students [are] launching a magazine, or doing a blog from the jungle, etc., I think you're very good at giving your students ownership and I’m more and more convinced that showing them their agency, their ability to do, to be adults/scholars, is so important after a life of public education that is geared towards tests.”

I was grateful for his reflection because I think that we owe it to our students to create content that is for an audience beyond “The Professor.” As we send students out into this technology-drenched world, their ability to communicate is so important. Creating content by writing blogs and either editing or adding new Wikipedia entries changes the dynamic of why they are learning and why they are researching and writing.

Another truly important and critical skill is going to be the ability to genuinely connect with people through writing and speaking.

I think students need to realize that they need to get out there. They need to do more than snapchat their friends or whatever the latest app is. Of course, we all want to chat with our friends, keep connected, and use apps for that. But students also need to think about how they will be in the world. How will they really communicate fully with the world? What do they want to say? What is their unique contribution to the world that they need to cultivate and develop?

This is not what I was trained to do, in terms of my graduate school life in art history. And I still love art history, and art history is the catalyst by which I try to also teach these greater skills. I want students to find their place in the world, to find that unique gift that they have, that no one else has.

By employing assignments that require creation, curation, and research, students can begin to think about the mark they wish to make in the world. I need to do this more, as I have only had pockets of these types of assignments from time to time but I need to start finding ways to have students think bigger. Their futures depend on it.

To that end, this coming spring semester in my Art of the Medieval World course, I plan to have students blog, each week, based on a prompt I will give them. This will get them writing and hopefully, since the blogs will be open to those in the class, read each other's thoughts. Three students per class will also talk about what they wrote at the start of the week. I'm hoping that this will get some conversations going.

If you are a faculty member, what do you do to make students think about their place in the world?

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