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I have been vexed all weekend by a class that I don't think is remembering enough of what I have been teaching them. I was frustrated in class on Thursday when many of them could not recall basic concepts that we had covered previously. And when we had in-class exercises to explore the concepts, it appeared that they had learned it, at least at that immediate point in time. But later, recall was not happening. I do not have high-stakes exams, because I don't believe that the students will remember very much after an exercise that is about memorization for a one-time event. If they just memorize and forget, what is the point?

Tonight I started Ira Zepp's book, Pedagogy of the Heart: A Teacher's Credo. I read about 10 pages of it, but it already zapped me like lightening. He said something in the book about not wanting to teach in a way that "lords it over the students," like he possesses all the knowledge that they lack and that students should feel lucky to get. I don't want that kind of classroom. I want students to feel empowered, even as they learn new things, because right now, no: they do not know much about medieval art. They are there to learn.

I pondered this all weekend: how to come up with a way to assess my students' learning in the 30-person Medieval Art course without a high-stakes test all while keeping to my principles and commitment to active learning. I finally came up with the answer (for now):

They will decide what they should know.

I will have students sitting at tables of four in this class. There are seven tables (plus two chairs). Each table will be assigned a topic that we have covered so far in the course. They will develop a question for the other tables, possibly including an image or images to accompany their question. They will share the questions and the tables will all have to answer the different questions. I want them to do the grading/assessment, too, so I am trying to figure out if I can have every table answer each question, and have the question creators also assess the answers, all in the 90 minute time-frame. We'll see.

Ira Zepp left us in 2009. He is a legend on The Hill, at McDaniel College where he taught for many years. In 2015 I was awarded our college's highest honor: the Ira Zepp Distinguished Teaching Award. The more I learn about the man in whose name the award is bestowed, the more I want to do him proud, and be the kind of teacher he would want me to be.

I want to give my students the power: the power of being in charge of their own learning and their own education. It's a pedagogy of the heart, after all.

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For all the work I have done with football players for the past year and a half, you would think that I would know better than to underestimate them. My post this past September, when they suffered their first loss of the season, emphasized their grit and resilience. Over the years, and as I have often posted on this blog, I've had a number of players in my classes and I have seen what they can do there, too.

But on Thursday, in my medieval art class, in which twenty players on the McDaniel College Green Terror football team are enrolled, my faith wavered. We were starting a short, two-day Reacting game, in which the students must decide about the role of images in the Byzantine church. It is my Byzantine Iconoclasm game that I have successfully used in the past. But on Thursday, I was not sure. Part of the reason was that I received two emails from different players on Wednesday night asking, "Are we starting that game/debate tomorrow?" Not reassuring.

When we got to class, I gave everyone about 15 minutes to get ready in their groups (Reacting games are made up of factions, or teams, and indeterminates who are not sure what they think about the issues and ask a lot of questions. You can read more about Reacting to the Past here). After that 15 minutes, I called everyone back to the classroom (some use the hallway for meetings). I took my place at the back of the room, because the students run the show in a Reacting class. The football player I cast as the Patriarch Nikephoros rose, walked to the podium, and welcomed everyone to the council and opened debate.

Without hesitation, students came to the podium to make speeches. There were lots of questions. And two football players, shown here, went at it, debating each other very seriously. It was a fantastic moment as a professor. I took the picture below to send to their Coach to show them his players in action.

I do not forget that I have 10 other students not on the team, a few of whom are in this picture, too. And they were ready and spoke that day, too. The mix of students is great and I have been very mindful of being sure to mix the class up at all times.

I will admit that it is really easy to think that the football players will not read, prepare, or get ready for class. I am working with a few students who are struggling in some of their classes. Yet they do care very much about their education and their studies. A colleague of mine ran a focus group with eight players and the findings will form the beginning of a new study of mine to find ways to support these students more effectively.

Reacting works with football players. Reacting to the Past works with many students. But with football players, it's something else. The competition, the debating - somehow it fires them up. At the end of the class on Thursday, several players said to me, "I am going to have a speech on Tuesday! Just wait!" They don't usually say things like that about a class that is five days away.

We play another Reacting game about the Crusades later this semester. I will try not to underestimate them again.

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I ran across this story about teaching that was in the January edition of The Atlantic (written by Jessica Lahey, January 21, 2108) and is about the teaching life of one half of the Penn & Teller magic act. The full piece is here. In it, Teller talks about his experiences teaching Latin in his past, and explains how, in his estimation, teaching is performance art.

I could not agree more. I have not read anything recently that lit me up like this story about teaching. It is so much what I try to do in my classes. I rev myself up each day, work hard to connect with each individual student. I learn my students names as quickly as possible, and am always in the classroom early in order to greet them one by one as they file in, somewhat tired or a little grumpy.

The article quotes Teller as saying this, too: "What I have, however, is delight. I get excited about things. That is at the root of what you want out of a teacher; a delight in what the subject is, in the operation. That’s what affects students.”

This is my goal in every class. I always try to show them my delight. My delight is in the material, surely, but it is also delightful to get to share that material with them. I want them to find some delight as well. I want something to spark them, make them think about things in new ways. This is often a challenge in a class that is fundamentally about 'old stuff' - Roman art, medieval art. It's not that accessible or easily connectable to my audience, which is usually 18-22 year olds, and, increasingly, student athletes, especially football players. On my teaching evaluations I always get a comment, "She obviously loves art." I do; but what I love more is teaching art. I would not be loving it if I were not teaching.

There is no greater delight for me than when a student follows along the journey that I take us on for 90 minutes, two times a week. When a student gasps when he or she understands the concepts, or nods in a knowing way, or smiles after a few minutes of puzzlement, that is sheer delight. Connecting with my students - and delighting in their learning - is what makes everything worthwhile.

If you are a student reading this, what brings you delight? If you are a professor and reading this, how do you demonstrate or show your delight in the classroom?

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This week I tried a couple of different things with the Medieval class of 30 students, 20 of whom are on the football team. I was told that "conditioning" practices started on Tuesday morning (my class meets Tuesday and Thursday mornings). So they were tired. I was told this in a spirit of, "it's not you, Dr. McKay; we had conditioning."

I appreciated this word of caution/warning/explanation. But how much should it matter to me if they were slouching/yawning/sleepy?

I will be honest. Right now, that type of behavior bothers me a lot. As those of you who have been reading my blog know, I take my teaching very seriously. Each moment I have with these young people I view as a gift and privilege. One of the icons of our campus, Professor of Religion Ira Zepp, now deceased but always remembered (you can read about his amazing life here), called his classroom with students a "sacred space." I have come to view it that way, too. I always try to have a full hour prior to meeting my students to think through what we will be covering, to be present and focused on their learning. I wrote a post a few weeks ago about wanting to be more mindful before entering the classroom, this sacred space.

So, what to make of sleepy students, who do not seem very engaged in the material? Is it me? Do I need to up my game? Do I need to do more than I thought I did to keep them energized? Or do I realize that despite all my best efforts, despite all my innovations and creativity, despite all my energy and enthusiasm (and I bring a lot of that), sometimes students will be drowsy. And that it is not all about me.

I will be honest: I find it really hard to accept that. I continue to think: What more could I have done? And I will continue to think about the fact that there could be a million things going on with them that I don't know, won't know, shouldn't know, and can't know that could affect their behavior in class. But I will still try to do my best to engage them all!

How do you deal with a class that drowses despite your energy and planning? Students, can you tell me why you drift off, even when there is something to do and plan and execute?

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