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Category: Syllabus

Published on Leave a comment on The Importance of Modules and Learning Goals

This is the first post about how I design my online classes for asynchronous delivery. This coming Spring semester of 2021, I will be teaching all three of my classes online and will deliver them asynchronously. I will be teaching a 1000-level History of Western Art II (from the Renaissance to Modern), as well as a 2000-level class in  Medieval Art and  a 3000-level class on African American  Art. This last is a new class for me; I have never taught it before at all so it may be the one that gets the most posts about the course design.

However, all three classes will begin with the establishment of learning goals. While that may sound like someone who has been dipped  too long into the waters of the River Styx (also  known as the Waters of Higher Education Assessment), they are key to establishing a sound online course. I learned about this when I took my first  online course - which was about best practices in online teaching - back in 2013. It had a profound influence on how I approached ALL of my courses, whether face-to-face, hybrid, or online. I started to think more about WHY we were covering the topics. For instance, it was time to teach the art of Emperor Augustus in Roman Art,  but what is the key to teaching him? What is the most important  element about his art that I want to get across? The answer to that question becomes a learning goal: students will understand the propaganda that Augustus was communicating through his sculptural and architectural works in the city of Rome.

Learning goals for a course come at different levels. There are overarching goals for the entire course, as well as for a class. We have a "Multicultural" requirement in our general education plan, and those courses must consider marginalized groups in the US, analyze the factors that led to that marginalization, and study the culture of these groups. My African American Art course will do all of that, but it's important to break all of that down into specific goals for each module.

Yes, module. I know that many of us have designed syllabi by the week. That made sense, I guess. But it's not the only way to design a class. In online courses, it makes much more sense to group topics and unify them for students with a theme. Thus, while the overarching goals remain, I come up with learning goals for each module that I will create with content, discussions, and assignments. I will have about 6 or 7 modules for my 14 week class. Module 1 will consider the roots of African Americans. The learning goals for this are to: 1) consider of the time of enslavement and its impact on the making of art; 2) examine the art made by African Americans; 3) examine contemporary black artists reference themes from the time of slavery,  reconfiguring them to say new things.

For this module there will be links to a site called Smarthistory, which was started by a grant from the Mellon Foundation to create an  online free video art history "textbook." The videos and written  pieces are shared by art historians from all  over the world and always growing. Here is one of the videos I will use in this first module of  this course: a Face Jug from Edgefield county, South Carolina, c. 1860. We will consider more than this one piece in order to have students think about the realities of living as an enslaved person.

A Subtlety, or the Marvelous Sugar Baby' at the Domino Plant - The New York Times
From NYTimes, May 11, 2014: https://www.nytimes.com/2014/05/12/arts/design/a-subtlety-or-the-marvelous-sugar-baby-at-the-domino-plant.html

For the contemporary exploration of these themes, we will consider Kara  Walker's A Subtlety which you can read about here. The term "subtlety" refers to confections made in Europe and were, essentially, edible art. In the seventeenth century and the early American colonial period, the increased desire for sugar led to an increase in enslaved laborers in the sugar fields. The slave trade was fueled, in part, by the demand for sugar, which is discussed in this video which will also be a featured assignment in my class module.  Walker's piece explores all of these themes. It was constructed in the late spring 2014 in a defunct Domino Sugar warehouse in Brooklyn, NY. It was as big as a football field and five stories high. Our class will look at this piece, after looking at pottery, quilts, and other works of art uncovered in archaeological digs to achieve the goals of this module.

Now that we have established the learning goals for this module, I can start to think about what students will  do: what will they read? Watch? How will they engage  with me? With each other? What assignments will they create? These will  be discussed in future posts.

For now though, consider this. How could you rearrange your class into modules? What learning goals could you establish for them?

Please leave a comment if you'd like to have a conversation about these  ideas.

 

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Published on 4 Comments on When Real Life Meets Higher Education

Since the start of this new year I have been caught in a wave of interconnected issues that have pulled social systems and problems into my little corner of academia. I have been observing, watching, and listening to my students for some time now, realizing that familial, cultural, and societal pressures can often interfere with their learning. But this week a lot of it all came to a head. And it is making me think, and it is making me wonder if my role as an educator is shifting. Should it shift?

I helped four students this past week who were academically dismissed because of their GPA and credits earned. It's a formulation. The people who made the decision were following the guidelines. And that is why there is an appeal process: the student and I can provide context for the reasons that the GPAs dip. And the reasons are all over the map.

Depression. Family health issues that required the student to commute home and balance school priorities. Undiagnosed ADHD. Being in the wrong major. Twice. And those are just some of the reasons.

I am happy that all four of these students asked for my help, and let me help them. Because through that process I am learning a lot. I had to find out a little about their plans to pay for college. That led me to read, yesterday, in one sitting, Sara Goldrick-Rab's Paying the Price, published by the University of Chicago Press.  This book chronicles the story of several students that were tracked in the Wisconsin system of public higher education. I teach at a private school. Nevertheless, it was a gripping read, and it was sad to see how many students did not make it to a degree.

This was the same time that I saw tweets from the same author about the idea of putting a statement on syllabi about scarcity, to let students know there is help. The statement that Goldrick-Rab tweets about is this:

"Any student who faces challenges securing their food or housing and believes this may affect their performance in the course is urged to contact the Dean of Students for support. Furthermore, please notify the professor if you are comfortable in doing so. This will enable her to provide any resources that she may possess."

Part of me can't believe that this would be necessary. And yet I see it with my students. Students tell me that they can't afford the book for a class that is over $300. Or the code for online homework that is nearly $200. I don't know how many, but we do have students on our campus who are homeless. Students struggle to pay their tuition bills, often knowing that they can't register with their colleagues because of a bursar hold, and having to hope that the classes that they need will still be open when they finally scrape up enough money to get through another semester.

Some of my colleagues scoff, and say that these students "find the money for beer." But I am not so sure that these students are doing this. They have too much riding on the line. They are have at least one part-time job. They are trying to make headway with their GPAs and grades. They are trying to find a way to do an internship that will still allow them to stay at their part-time job that they need have in order to pay the bills.

With all of this staring me in the face, I can't turn a blind eye to it. My role as an educator needs to shift. But what do I do? How does that role shift?

I open this up to discussion, especially among my faculty colleagues. What do you feel your role is when you see inequities or needs among your students? Do you do anything? If so, what? Do you feel like it is none of your business?

Students - what do you need - or not need - from faculty when you face difficult social or personal situations? Maybe you want us to back off?

I hope to start a conversation about all of this in the comments.

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Published on 2 Comments on What is the Point of the Syllabus?

It’s August. That means it's the time of year when faculty are starting to think about syllabi for their courses. I’ve heard faculty talk about how it grows page upon page each year as they write more and more rules in order to cover – and perhaps control – all kinds of student behavior. And there are many cartoons, like this one, about how when students invariably ask questions, those answers are, of course, in the syllabus...

Another post on the syllabus came across my Twitter feed by Sara Fulmer, who writes about Preparing a Learning-Focused Syllabus.  This got me thinking, “What is the point of the syllabus?” As Mano Singham argues in his AACU piece Death to the Syllabus,there should be no more syllabi. Says Singham, “It is time to declare war on the traditional course syllabus. If there is one single artifact that pinpoints the degradation of liberal education, it is the rule-infested, punitive, controlling syllabus that is handed out to students on the first day of class.” (emphasis mine)

I am required to have a syllabus for every course I teach, even though online or hybrid/blended courses don’t need the traditional syllabus because of the way that course guides and modules are set up if you adhere to best practices in online education and teaching. But I make one anyway, and link it on the content management system page for my courses. And there is language I am required to put on the syllabus, though I have heard of some faculty making that an appendix and putting it on their course management page, which is an interesting idea, to keep the syllabus about the course.

But as Singham notes, where in the syllabus is learning addressed? I have attempted to add learning goals to the syllabi for my classes. And Fulmer's point is about creating syllabi that are more learner-centered rather than teacher-focused. In other words, we can make syllabi more collective in spirit – about what is possible in the course – rather than generate a list of rules that indicate how a student can lose points for every possible misstep.

In my attempt to make my syllabi more about learning, I include a section about my learning goals for students in my course. After going over those on the first day, I  pause to have students fill out a card that notes what they would like to focus on for learning in the course. I (try to remember to) give out those cards again at the mid-point of the semester in order to have students note how they think they are doing on their goals, which gives me a chance to respond in kind to them about whether I agree with their assessment of their progress or not. I think this is a great chance for individual feedback to students about how they are doing in my class.

I was also struck by a column in Chronicle’s Vitae the other day written by David Gooblar, which advocates putting more images in a syllabus, almost making it read like a graphic novel. You can read that post here. I'm an art historian. I should find ways to "art-up" my syllabi, and may do just that this August.

Faculty: What do you think about your syllabus? Do you want to change it up, or is it a list and a contract that sounds more like legalize? Do you want to keep it that way? Do you feel at your institution you have to?

Students: what say you about the syllabus in a course? Do you read it? Why or why not?

 

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